These drawings on paper capture the raw immediacy of mark-making—an intuitive choreography between control and chaos. Black gestures collide, overlap, and dissolve, forming a language that resists translation. Amid the abstraction, flecks of red and blue interrupt the surface like sparks or fragments of thought—evidence of something urgent, almost bodily. The work becomes a pulse made visible, scattered across space and time reflecting the tension between impulse and intention.